The night is taking birth,
Sunset is imminent thus,
Over the fields cropped,
And silvery mist upcoming,
With the silent majesty of
the sunbeams gently smiling still.
The day, like a minimalist,
Looks sunward to get
yellowish orange traces last,
The sundown moment!
Mingling day and night,
With the sunbeams garlanding,
Which one? Day or night?
Guava, blackberry, mango,
Wild not, but tamed in the orchards,
Stand silent and still,
Their natural character somewhat lost,
Which they laugh away
for some purpose human,
They with the brethren wild
along the canal embankments,
Stand as spectators for the great handover.
Wheat saplings turned plantlets now;
Few inches tall and strong,
To go into the dark
without crying; no fear.
The cawing of a raven,
And a parrot’s cherishing tone,
All speak of a day gone,
Distant howl of an owl
from a lone banyan big,
Sounds like a factory hooter,
To awaken the ploughman
from his submission to the work hard,
And realize the world beyond the field.
The long-shadowed sun picture:
A weaver bird’s nest
hanging still and safe,
Similarly, the mushroom huts
warm with the lights glowing now,
All seem ready to face
the upcoming dark for the day next.
A cuckoo sings
a little song of bravery
for the hut, the nest
and everything at the dark front.
A crow ogles at the subsiding
redness in the south-west,
Whose vanishing traces
leave its eyes parted wide
and smirking with amazement,
Suddenly, realizing the need of time,
Off it goes with a flutter.
This slow acceleration of
the day into the night;
The gentle fluidity of the light and the dark
embracing and melting into each other,
The gentlest of a brace,
The slow pace,
Unnoticeable bonhomie,
And biggest will be the change;
The change as snaily
as some minutest growth to the wheat saplings.
Thus the sunset is imminent,
Moments stand calm and meditative;
Like we at the birth time
know nothing of the life ahead.
The cool air and the mist
with their dense brush,
Paint a picture tranquil,
With the protagonists standing still,
Save some small movement
among the boyish wheatlings,
And the ‘painted lady’ butterflying.
The sun goes down further,
Its rays now dissolve
in a woodpecker’s eyes
perched atop a tall eucalyptus;
Undefined colour of the painter’s disk,
Thus, the sunset is imminent;
The scarecrow in a field,
The proxy owner in the farmer’s absence,
Begins now to enliven,
With each degree of the sundown,
It enlivens more and more
to protect the child crop;
The farmer’s self symbolized through
the effigy turned human,
Or ghostly, in the dark.
The rim goes below,
Thus it’s all over for the day!
The sadness of the moment,
Or the joy of the job done,
And they all stand sunless,
In a state of sweet sorrow
for the celestial minstrel gone,
But still the moment is
pleasing for the soul.
Although everything
may not glow like a diamond,
But like an ill-formed sapphire,
It has its maze,
Where everything has got
mixed feelings, mixed appearances.
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