For good people its very difficult to enter a relationship and still more difficult to come out of it! For bad people its very easy to get into a relationship and still easier to come out of it!
Without poetic seed there won't be prose. The entire network of branches, twigs, flowers, fruits and leaves is nothing but a commentary on the small poetic seed. So all ye wannabe writers, nurture the poet in you, who understands the value of pause in life, who moves slowly to watch everything, sight and smell everything. Brushstrokes of poetry softly touch the soul without disrupting its restful muse and bring out nuggets of love, compassion, harmony and peace. All content © Sandeep Dahiya
Sunday, February 6, 2011
Friday, October 15, 2010
Snake
I came across a brown-eyed human snake. A kashmiri pandit. More venomous than any kobra in the world! He just knowns how to bite...instinctively like all the slithery reptiles of his species. Its just impossible to come across a more spiteful person. It is simply your folly to expect a friendly kiss from a snake...the helpless creature is bound to bite only. Well, if a community can give birth to evn a single such human snake than its better that Kashmiri pandits left Kashmir valley because it is too heavenly for such human reptiles. Kashmir valley is better without pandits!
Sunday, August 29, 2010
Encroachers
This thunderous beat of waves on the beach
tries to reach
the hardest core of rocks standing
mute and sullen on the coast.
The sea and its maddening waves;
uproarious, stormy, and boastful most.
For years, its stormy passion kissed the rocky face,
The fury of its infatuation caught the unsoliciting
lover in a grasping embrace,
The rocks mellowed and crumbled as beach sand,
Once where there was land
now becomes the soft love bed
for the waves to shed
their gnashing fury on its soft grains,
where love sighs in gay abandon
and soft showers turn into torrential drains.
In this land—sea love pit
a new passion gets lit,
Surrendered to excited storms
we forget all norms
and let loose waves
that break false rigidities and forced facades
build inside us for decades.
Waves to waves!
Rocks to rocks!
The sea just watches meekly
this sensuous storm on its bed:
The encroachers with all shame shed,
Its warning shouts ebbing away in distance,
as if afraid of this rival stormy surge
on the beach,
It recedes to save itself from this
huffing, puffing , grunting, tempestuous game.
The prisoner
I’m ragged old,
I was once the youth icon
of the fauna around me,
Delhi was far and nonthreatening then,
We just enjoyed its lights from a safe distance,
The city didn’t seem at war with us,
But then it just spilled over,
Its bridges, roads, cemented pavements
ate into our innards,
I witnessed massacre of my near and dear ones,
I’m now caged in a high rise residential complex,
I’m just a poor, tiny banyan tree now,
Standing as an archaic symbol
in my cramped corner of this little park.
I go out of my way to give shade and cool air,
But I’m horrified and scared.
Even a kid picking a tiny pebble
to playfully hit my canopy
sounds like a terrorist hurling a deadly grenade.
So, against my nature
I’m always on guard,
crying for peace and mercy,
But it is too noisy around,
My mercy petitions fall on the deaf ears
of the stony facades standing haughty and proud,
I’m afraid any day the judgment
will arrive against me!
Holy Harlots
Yamuna!
A black, toxic, putrefied nullah.
Cow!
A sewage-eating big pig
surviving on garbage dumps.
Two holy mothers turned harlots
in this age of Kaliyuga!
Delhi, meanwhile, pumps
more pride in its polluted lungs.
On stinking sewage-layered banks,
The skinny cow grazes on
noxious weeds and poisoned shrubbery,
Its beneficent, teary eyes
ogle at the human-industrial waste
mocking and mirthing over Yamuna’s sighs.
Who needs a holy bath now and cow’s blessings?
Two pillars of faith
now crumble down to pieces,
Any listeners to their dismantling shrieks?
Iron Lady
It is noisy chaos,
Delhi at its best,
Impatient horns, smoky guffaws,
tired engines, shouts, dust,…
The lotus, but, shines in the mud.
Pulling the carrier rickshaw she is unfazed,
Two kids, a goat, a bundle of poor provisions
safely in tow,
Like a valiant captain at the best row.
Clad in a dirty saree
she shines like a queen,
I don’t think femininity had ever been
so illustrious in its sheen.
Meanwhile, madly mechanized world hisses,
But its lolloping tongue meekly kisses
the dirt on her hardened feet,
She pulls the rickshaw with pride
in full maternal heat,
Cramped for space she turns the tide,
The goat and the kids though panicked,
but the mother carries on the fight
in the traffic jam,
Fights for space with utmost grace,
and clears like a swiftest deer’s brace.
Saturday, August 28, 2010
Old Bull and the Dead Wood
Old Bull and the Dead Wood
I’m an old bull,
My rock-hard bones heave and pull
the rickety cart,
I’m skinny but perfect in my belief
that I’ve to justify my morsels before I depart.
I carry a dead body that once was
a robust attire for some sylvan soul,
It was an honest being;
this long, hard body,
It fulfilled all its duties without exception.
But then this is the age of vandals,
They can just vandalize only,
They axed it, chopped it.
I now carry the carcass
as the trophy of their triumphant glory,
I but silently mull over this murder story.
Delhi around me boasts of its mechanized colors;
cars, megamalls, skyscrapers,
westernized guys and galls,
and thousands of glamorous pitfalls.
Haa..wonder they can’t do without me!
With salivated gusto
my labored breathing eggs me on,
while my victimized skeleton creaks and bemoan.
The flyover is the challenge,
My owner beats my back like an enemy,
It is a treacherous task,
But it is my duty to carry the body
for its final rites,
otherwise someone will miss
many a drawing room delights.
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